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And Dr Dre beamed throughout, a maestro surveying the spoils of the decades he spent re-orchestrating the shape and texture of pop. Blige was commanding, helping to bring the middle segment of the show into slow focus with a joyous Family Affair and No More Drama, rich with purple pain. Eminem, insular as ever, still emanated robust tension.
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Snoop Dogg was confident beyond measure, a veteran of high-pressure comfort. Lamar was stunning – ecstatically liquid in flow, moving his body with jagged vigor. The performances were almost uniformly excellent. (This was almost certainly the most bleeped halftime show ever.)
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For the next 12 minutes, vivid and thumping hits followed, including The Next Episode, a wiry collaboration between Dr Dre and Snoop Dogg, wearing a blue bandanna-themed sweatsuit California Love (mercifully, delivered without a hologram of Tupac Shakur, as some had rumoured) Eminem’s stadium-shaking Lose Yourself Lamar’s pugnacious and proud Alright and a pair of songs from Mary J Blige, the lone singer on the bill.ĥ0 Cent, hanging upside down from the ceiling of the set, was an unannounced guest, performing his breakout hit In Da Club, one of Dr Dre’s seminal productions. Photograph: AJ Mast/New York Timesĭr Dre opened up the performance behind a mock mixing board, a nod to the root of his celebrity: the ability to mastermind sound. In the main, there was exuberant entertainment, a medley of hits so central to American pop that it practically warded off dissent.ĭr Dre, left, and Snoop Dogg during the 2022 Super Bowl halftime show. The stories told on the SoFi Stadium field in Los Angeles on Sunday night were multilayered, a dynamic performance sprawling atop a moat of potential political land mines. What would some of rap music’s generational superstars – Dr Dre, Eminem, Snoop Dogg, Kendrick Lamar – titans with little fear for their reputations, do with this most visible of platforms? Does progress this delayed still count as a breakthrough?Īfter several years of grappling with an assortment of racial controversies, the US National Football League ( NFL) likely wanted credit for showcasing Black music – especially hip-hop, the lingua franca of American pop culture – this prominently. It was marketing copy that overlooked the glaring lateness of the achievement – that rap was finally getting the spotlight in perhaps the 20-somethingth year of hip-hop occupying the centre of American pop music. Dre’s “Still Dre,” a fitting finale for a performance that felt more like a celebration than anything else.Leading up to Sunday’s Super Bowl halftime show, much ado was made over the fact that this would be the first year that hip-hop occupied the centre of the concert. The ultimate ‘90s hip-hop revival show came to a close with everyone joining in on Dr. Paak on drums, but also for his choice to kneel following his performance of “Lose Yourself,” a move interpreted as a tribute to Colin Kaepernick. Eminem’s turn at bat attracted major attention, not only for featuring. Dre-produced classic “In Da Club,” performed by an upside-down 50 Cent.įrom there, Blige went on to perform her own staples “Family Affair” and “No More Drama” before segueing into a stirring performance of “m.A.A.d City” and “Alright” from Lamar. Dre and Snoop Dogg collaborations “The Next Episode” and “California Love” (which did not feature a Tupac hologram, as was originally rumored) before shifting into an unexpected performance of the Dr.
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The group ran through an energetic 12-minute performance packed with hits, kicking off with Dr. It marked the first time a Super Bowl halftime performance has exclusively featured hip-hop and R&B artists in the game’s history. Paak) took to the stage last night to perform some of their biggest hits. Blige, Kendrick Lamar and Eminem (along with surprise spots from 50 Cent and Anderson. This year was no exception, as an all-star L.A. Super Bowl Sunday came around once again last night, and while the game is always the main draw (shout out to the winning team of Meadow and AJ), many of us are on standby for the buzz created by the halftime show.